Published on Jul 26th 2010 Dystopian Arts

Directed by Scott Stewart, Priest is a new adaptation of the Korean comic series by Hyung Min-woo.
In a dark dystopian world, a warrior priest disobeys sacred church law by joining forces with a half-vampire sheriff to hunt down a band of renegade vampires responsible for kidnapping his niece. Continue Reading »
Published on Dec 27th 2009 Dystopian Arts

Seated woman with bent knee. Egon Schiele (1917).
Platforma SINC – A team of researchers from the University of Girona and the Max Planck Institute in Germany has shown that some mathematical algorithms provide clues about the artistic style of a painting. The composition of colours or certain aesthetic measurements can already be quantified by a computer, but machines are still far from being able to interpret art in the way that people do.
How does one place an artwork in a particular artistic period? This is the question raised by scientists from the Laboratory of Graphics and Image in the University of Girona and the Max Planck Institute for Biological Cybernetics, in Germany. The researchers have shown that certain artificial vision algorithms mean a computer can be programmed to “understand” an image and differentiate between artistic styles based on low-level pictorial information. Human classification strategies, however, include medium and high-level concepts.
Low-level pictorial information encompasses aspects such as brush thickness, the type of material and the composition of the palette of colours. Medium-level information differentiates between certain objects and scenes appearing in a picture, as well as the type of painting (landscape, portrait, still life, etc.). High-level information takes into account the historical context and knowledge of the artists and artistic trends.
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Published on Dec 27th 2009 Dystopian Arts

Dexter. Foto: Christian Weber
Plataforma SINC – Nieves Jiménez Carra, a researcher and lecturer at the Pablo de Olavide (UPO) University in Seville has studied how scripts swap from one language to another in American television series and cinema. One of her conclusions is that English-Spanish bilingualisms are increasingly common in scripts.
Over recent years, the cultural reality and growing presence of Latin American immigrants in the United States has led to more and more Americans alternating between English and Spanish as they talk. “There has been a real boom, which can be seen not only in Spanish being the leading foreign language studied in high schools and universities, but also in its presence in film and television”, Jiménez Carra, author of the study and a researcher at the UPO, tells SINC
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Published on Mar 30th 2009 Dystopian Arts
Published on Mar 10th 2009 Dystopian Arts
Published on Mar 6th 2009 Dystopian Arts